How Terrorists Win
One is by making you afraid to do what you might normally do:
Is the Met afraid of Mohammed?
The Metropolitan Museum of Art quietly pulled images of the Prophet Mohammed from its Islamic collection and may not include them in a renovated exhibition area slated to open in 2011, The Post has learned.
The museum said the controversial images — objected to by conservative Muslims who say their religion forbids images of their holy founder — were “under review.”
Critics say the Met has a history of dodging criticism and likely wants to escape the kind of outcry that Danish cartoons of Mohammed caused in 2006.
To answer the question – no, the Met isn’t afraid of Mohammed. It’s afraid of some of his followers. The bomb throwing, murdering group of his followers who take offense at just about anything.
But is self-censorship the answer?
Isn’t the reaction exactly that for which they are hoping?
One of the things those involved in the arts like to tell us is one of the purposes of art is to challenge convention. To jab hard at those that are comfortable. Smack their beliefs and conceptions around a bit. Make ‘em think. And when there’s no real risk, they’re all for it aren’t they? “Piss Christ” for example was done knowing no one would show up throwing bombs or threatening to kill those who exhibited the “work of art”.
But when it comes to the likelihood that there’s an actual possibility of violence, suddenly artists and their backers aren’t so keen on “challenging convention”, are they? Suddenly the challenge to convention – that purpose of art – isn’t really that important anymore, is it?
Funny how that works.
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