Should the National Endowment for the Arts encourage artists to create art on issues being vehemently debated nationally?
That is the question that I set out to discuss a little over three weeks ago when I wrote an article on Big Hollywood entitled The National Endowment for the Art of Persuasion?”
The question still requires debate but the facts do not.
The NEA and the White House did encourage a handpicked, pro-Obama arts group to address politically controversial issues under contentious national debate. That fact is irrefutable.
But some have claimed that the invite and passages, pulled from the conference call that inspired the article, were taken out of context. Context is what I intend to establish here.
In addition to the Patrick Courrielche article above, Breitbart has a series of others dissecting and analyzing the NEA and White House actions on the Big Government site. While other than complete transcripts and audio of the conference call, not a whole lot new is revealed in these reports. There is a good rundown of the facts versus White House claims, as well as a link to some prior investigation into the money angle. However, I think Patterico cogently sums up the importance of this (still developing) story:
It would be a mistake to dismiss this story as unimportant because there is no jaw-dropping angle like ACORN staffers’ apparent complicity in trafficking in under-age children for prostitution. Consider what is happening: the NEA is encouraging artists to create propaganda for a president’s policy initiatives. This is a corrosive precedent — and what’s more, it illustrates the overarching danger of the Obama administration: government, by increasingly taking over various aspects of American society, threatens to bend society to the will of a single man.
It would also be a mistake to dismiss the story as old just because the basic contours of the story were revealed in August. Since then, the NEA and the Obama administration have denied pursuing a legislative agenda in the call; today it is clear that they lied. What’s more, they tried to cover it up with the reassignment of Sergant. And the media played right along, for the most part acting as though that was the end of it.
From a politics standpoint, the potential illegality involved here is the paramount issue, and the use of federal funds for propaganda runs a close (and closely related) second. However, from where I sit it’s the all-out assault on the traditional media that’s so interesting. Breitbart has now twice invited to MSM to look behind the curtain to see what they’re protecting, and twice they’ve passed. He forced them to cover the ACORN story. Will he do it again with the NEA scandal? Keep in mind that Breitbart has darkly hinted that there is more to come:
Everything you needed to know about the unorthodox roll out of the now-notorious ACORN sting videos was hidden in plain sight in my Sept. 7 column, “Katie Couric, Look in the Mirror.” ACORN was not the only target of those videos; so were Katie, Brian, Charlie and every other mainstream media pooh-bah.
They were not going to report this blockbuster unless they were forced to. And they were. What’s more, it ain’t over yet. Not every hint I dropped in that piece about what was to come has played itself out yet.Stay tuned.
Does that mean that there is yet more to come on the NEA promoting propaganda in support of the president’s agenda? It’s hard to say. If it turns out that some laws were broken, however, expect Breitbart to rub the MSM’s noses in it with as much publicity as he can muster (which is likely a tremendous amount).
UPDATE: While the Obama administration is busy using the tax-payer funded NEA to push its agenda, it’s also using its police powers to harass those who speak out against its agenda (via HotAir,):
The government is investigating a major insurance company for allegedly trying to scare seniors with a mailer warning they could lose important benefits under health care legislation in Congress.
The Health and Human Services Department launched its investigation of Humana after getting a complaint from Sen. Max Baucus, D-Mont., a senior lawmaker usually viewed as a reliable ally of the insurance industry.
“It is wholly unacceptable for insurance companies to mislead seniors regarding any subject — particularly on a subject as important to them, and to the nation, as health care reform,” Baucus said Monday, disclosing the HHS investigation.
Humana Inc., headquartered in Louisville, Ky., is cooperating with the investigation and stopped the mailer earlier this month, company spokesman Tom Noland said Monday.
Now, you can call me a conspiracy theorist if it makes you feel important and wise, but how else other than “totalitarian” would you describe “free speech for me but not for thee” enforced at the end of a gun? Does that necessarily mean that we’re headed for gulags? No, but don’t let the failure to cross that line fool you. The Obama administration is putting on a full court press to pass its agenda, and apparently has no qualms about using every resource within its power, legal or otherwise, to accomplish that goal.
[This post is authored by Michael Wade. Because of technical difficulties, it has been posted under my account – McQ]
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For years the right has said that government has no business subsidizing art and for that same amount of time the left has claimed that government support is necessary to keep the arts alive. Of course some are of us are of the opinion that if “art” is sufficiently good, the private sector will gladly support it.
But what I assume both sides would agree on is that government support of the arts shouldn’t be abused and turned into government propaganda. Yet:
“…I was invited by the National Endowment for the Arts (NEA) to take part in a conference call that invited a group of rising artist and art community luminaries “to help lay a new foundation for growth, focusing on core areas of the recovery agenda – health care, energy and environment, safety and security, education, community renewal.”
The quote comes from Patrick Courrielche at Big Hollywood and his post there documents his experience on the call.
Backed by the full weight of President Barack Obama’s call to service and the institutional weight of the NEA, the conference call was billed as an opportunity for those in the art community to inspire service in four key categories, and at the top of the list were “health care” and “energy and environment.” The service was to be attached to the President’s United We Serve campaign, a nationwide federal initiative to make service a way of life for all Americans.
Given the tone of the invitation, and the apparent concerns it raised, Courrielche called in. His concerns were validated:
The people running the conference call and rallying the group to get active on these issues were Yosi Sergant, the Director of Communications for the National Endowment for the Arts; Buffy Wicks, Deputy Director of the White House Office of Public Engagement; Nell Abernathy, Director of Outreach for United We Serve; Thomas Bates, Vice President of Civic Engagement for Rock the Vote; and Michael Skolnik, Political Director for Russell Simmons.
We were encouraged to bring the same sense of enthusiasm to these “focus areas” as we had brought to Obama’s presidential campaign, and we were encouraged to create art and art initiatives that brought awareness to these issues. Throughout the conversation, we were reminded of our ability as artists and art professionals to “shape the lives” of those around us. The now famous Obama “Hope” poster, created by artist Shepard Fairey and promoted by many of those on the phone call, and will.i.am’s “Yes We Can” song and music video were presented as shining examples of our group’s clear role in the election.
Obama has a strong arts agenda, we were told, and has been very supportive of both using and supporting the arts in creative ways to talk about the issues facing the country. We were “selected for a reason,” they told us. We had played a key role in the election and now Obama was putting out the call of service to help create change. We knew “how to make a stink,” and were encouraged to do so.
Hard to argue, given this report, that the NEA isn’t now involved in a political role. Courrielche wasn’t the only one who was concerned by what he heard. Lee Rosenbaum was “creeped out” by the call she participated in as well. She validates Courrielche’s report and conclusions. Courrielche writes a followup post here.
The point, of course, is it isn’t beyond any politician, administration or government to use and abuse any program for its benefit. When you have a community organizer in the Oval Office, it appears they get abused is record time – nd it is clear, at least to me, that in this case the plan is to use the NEA for propaganda and political gain. As far as I’m concerned, that’s a perfect reason to give the NEA the political death penalty and, finally and forever, defund it.
UPDATE – This isn’t the first time we’ve touched on this subject either. MichaelW covered it back on August 27th when the first conference call was held. Since then there’s been a second (that’s the call Lee Rosenbaum talks about) in which the NEA and White House try a few tricks to give them “plausible deniability” against charges of collusion in a program to get NEA artists to create propaganda for the administration.
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